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Let us once lose our oaths
to find ourselves ...


The Princess

Love’s Labour’s Lost

by William Shakespeare
directed by Kat Altman
August 7—August 16, 2020
Live online from Honolulu



Love’s Labour’s Lost

by William Shakespeare
adapted by Malia Wessel, Kat Altman and Emily Steward
directed by Kat Altman

Dramaturgy: Malia Wessel and Emily Steward
Zoom Dramaturgy: Mike Poblete
Original Music: Jake Wolf and Malia Wessel
Sound Design: Emma Torgrimson
Set and Zoom Graphic Design: Joseph Governale
Lighting Design: Joseph Governale
Costume Design: Annastasia Fiala-Watkins
Hair and Makeup Design: Annastasia Fiala-Watkins

Cast

King Ferdinand................................Sean-Joseph Choo
Princess of Librios.................................Emily Steward
Berowne..............................................Malia Wessel
Rosaline............................................Louise Gregory
Longaville / Jaqnetta............................Rachael Uyeno
Maria / Costard.................................Dylan Chace Lee
Boyet / Dull.....................................Anna Hamaguchi
Armado..............................................Stetson Smith
Moth.......................................................Jake Wolf



Director’s Note

Lean in for the nonstop shenanigans, and games within games, that comprise Love’s Labour’s Lost! Our characters live in a dying world: the kingdoms of Austeria and Librios face resource shortages, an increasingly untenable climate, a pandemic, and a system that is collapsing around them. It is a world commanded by young leaders, where legendary heroes, the Worthies, shape the values of each nation. King Ferdinand of Austeria, in an attempt to meet the challenges his nation faces, has just issued a decree enforcing study, temperance, and separation from the outside world, with he and his friends and advisers, Berowne and Longaville, vowing to cut themselves off from others entirely for the length of three years. When these leaders meet the Princess of Librios and her advisers, who have come to forge an alliance and make a deal for the territory of Aquian, the young leaders forego responsibility and, for a short time, revel in a celebration of intimacy, love, friendship, and what it is to be alive.

For most of us Zoom theatre is a new way of exploring live performance and communal experiences. Our intrepid cast, crew, designers and you, our audience, “brave conquerors, for so you are”—are all pioneers in this digital medium. Although much has changed since I started planning for this production in December, the question at the heart of the play has remained who we want to be as humans and how we want to spend our limited time on this planet. In the play we see young leaders trying to decide what their path forward should be with the time they have: whether to shut themselves away from the outside world and the distractions of life and love, or to embrace the now. Our world faces many of these same challenges; what values will we choose to uphold? The answers, Shakespeare tells us, are in what we can, and must learn from—and do for—each other. At a time we could not be further apart, I am grateful for the experience of making art with talented artists over five time zones, and we hope to share some of that joy with you, our audience, in the relentlessly antic and game-filled romantic romp that is Shakespeare’s Love’s Labour’s Lost.

—Kat Altman




Love’s Labour’s Lost Crew

Stage Manager: Alex Dekker
Assistant Stage Manager: Raine Higa
House Manager: Kat Altman
Assistant House Managers: Raine Higa, Mike Poblete
Technical Support: Mike Poblete

Hawaii Shakespeare Festival

Founders: R. Kevin Garcia Doyle, Tony Pisculli and Harry Wong III
Board:R. Kevin Garcia Doyle (Pres.), Amrita Mallik (V. Pres.), Tony Pisculli (Treas.) and Nicolas Logue (Sec.)
Artistic Director: Tony Pisculli
Managing Director: Nicole Tessier
Education Director: Taurie Kinoshita

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Mahalo

Alston Albarado, Tyler Haugen, Hawaii Academy of Performing Arts, Hawaii State Theatre Council, Manoa Valley Theatre, The ARTS at Marks Garage, Shakespeare Theatre Association, Stacy Ray, family and roommates who have welcomed our boisterous show nightly into their homes



Dedication

In his years teaching, creating, promoting and performing theater in Hawai‘i, Professor Knapp touched thousands of lives. While he tackled a wide variety of theatrical projects, it was Professor Knapp’s boundless joy for teaching and presenting Shakespeare that we hope to honor with this festival. It is our sincere wish that our affection and respect for our beloved teacher finds a voice in these productions. The Hawaii Shakespeare Festival is dedicated to Terence Knapp.

—R. Kevin Garcia Doyle, Tony Pisculli, Harry Wong III


Judi Dench and Terence Knapp

Patron

Dame Judi Dench, Companion of Honour by the Queen’s personal gift and Britain’s Most Outstanding Actress (as voted by her peers) has consented to be the Patron of the Hawaii Shakespeare Festival at the invitation of Terence Knapp.